Sunday, December 10, 2017
I was just a little bit put off when I discovered that Peter Sellers was also among the stars. Sellers is far from being one of my favourites. In fact he’s really not too bad in this one and luckily the rest of the cast is quite superb.
It’s a splendid idea. The smooth, charming but thoroughly unscrupulous Nigel Dennis (Dennis Price) publishes a scandalous gossip magazine but his main business is blackmail. Having dug up particularly embarrassing dirt on famous people he threatens to publish the results in his magazine, The Naked Truth. Most of his victims pay up but if they don’t it doesn’t really matter - he still makes money from them indirectly by publishing the details of their scandals in the magazine.
The scheme is cunningly organised in such a way as to make successful prosecution for blackmail almost impossible.
Of course they turn out to be rather incompetent amateurs when it comes to murder. Their plans are ingenious but tend to misfire rather badly. If any of them had chosen the simple direct approach to murder they might have succeeded but the simple direct approach does not occur to them.
They find themselves having to master other crimes as well as the plot builds to a clever climax which even manages to involve an airship!
My reservations about Peter Sellers are similar to my reservations about Alec Guinness as a comic actor. Both seem to me to be too self-conscious and to be trying too hard and they’re often very clever without being especially funny. In this case though Sellers is reasonably amusing.
Peggy Mount is delightfully outrageous as the crime writer who is thrilled by the idea of carrying out a real murder and she gets fine support from Joan Sims as her incredibly nervous daughter who is a very unwilling but dutiful accomplice. Shirley Eaton proves herself to be more than capable when it comes to comedy and of course she adds a touch of glamour.
Dennis Price is a terribly underrated British actor of this era. His comic style was suave and understated which contrasts nicely with the bravura performances of the other stars.
The Region 4 DVD which I saw (part of a three-movie Peter Sellers collection) is barebones but the transfer is quite satisfactory.
The Naked Truth delivers the comedic goods in fine style. Highly recommended.
Friday, December 1, 2017
Charles Hilary (Peter Williams) is estranged from his wife Louise (Ursula Howells). He wants to marry glamorous television presenter Kathy Forrester (Petra Davies) but Louise absolutely refuses to consider giving him a divorce. While Louise is a drunk and she certainly has boyfriends she assures Charles that it would be futile for him to try to divorce her - she has been very discreet in her love affairs. Their final meeting ends in a great deal of unpleasantness.
It is therefore very unfortunate for Charles when his wife is murdered. He is very obviously going to be the prime suspect, and it’s even more unfortunate that there is a great deal of quite convincing circumstantial evidence against him.
His big problem is that his alibi, while it might well be genuine, is flimsy and unconvincing and is very unlikely to impress a jury (it certainly doesn’t impress the police).
The only way out is clearly to find the real killer. The police regard the matter as closed so Kathy decides she’ll have to play amateur detective. Charles decides (wrongly) that the wisest thing for him to do is to run.
Robert Lynn had a less than stellar career as a director in movies and television. He doesn’t quite manage to get the most out of the story. Some of the key dramatic moments don’t have the necessary impact.
Roger Marshall would go on to be one of the best television writers of the 60s and 70s and his screenplay here is more than serviceable.
Star Peter Williams doesn’t really have the charisma to carry this film although his performance is quite adequate. Petra Davies is solid enough as Kathy. Ursula Howells on the other hand gives her usual spirited performance as the spiteful wife Louise. Stratford Johns was a great character actor and he certainly knew how to play policeman (he spent most of the 60s playing them to great acclaim and with enormous success on British television) but as Superintendent Bates he’s rather subdued here and in any case he’s not given enough to do.
Two Letter Alibi is one of the lesser British mystery thrillers of its era. It’s very low-key, maybe just a bit too low-key for its own good, but it’s a reasonably diverting time-killer. Worth a rental, or a purchase if you can pick it up very cheaply.
Thursday, November 23, 2017
Stella Smith was popular with the artists for whom she posed, and not necessarily because of her virtues as a model. In fact virtue is not the first word that would come to mind when describing Stella. She was also rather ruthless in her pursuit of men, a quality that did not endear her to some of the other models. The list of people with a grudge against Stella Smith is rather a long one (it includes just about everyone who knew her). The problem for Inspector West (Ballard Berkeley) is deciding precisely where to start.
Kenneth Wills is another artist who might have had a reason to kill Stella. Kenneth thinks he’s a ladies’ man, an opinion which the ladies unfortunately do not share. Martin Soames might perhaps have had a reason to murder Stella, a reason with its roots in the past. There is no obvious reason why lady artist Theo Castle (Hy Hazell) would have wanted Stella dead, except that pretty much everyone seems to have wanted Stella dead. Model Hazel Carr (Mary Germaine) had excellent reasons to hate Stella as well.
As so often with 50s British B-movies the cast contains lots of familiar faces and lots of very capable actors. Hy Hazell gets top billing as the elegant and slightly mysterious Theo Castle and she’s all that we expect a lady artist to be. Elwyn Brook-Jones is deliciously oily as Soames. Mary Germaine is fairly impressive as Hazel, a girl we might not be quite sure of at first - she might be a bit of a schemer or she might be a nice girl who has just decided that Clayton is the man she wants and now she’s going to make sure she gets him.
The murder of models was a popular subject for murder mysteries at the time, offering opportunities for glamour and some very mild titillation. And of course since artists and models are all eccentric, socially inept and at least slightly wicked the art world provides an absolutely splendid background for murder and mayhem.
The blackout angle involving Clayton Hawkes adds some amusing melodrama.
Crime movies are easy to make on limited budgets and were therefore an extremely popular B-movie genre on both sides of the Atlantic. The British film industry developed an extraordinary capacity for churning them out in large numbers whilst still maintaining a consistently high standard. The Night Won’t Talk is an unassuming but very enjoyable example that ticks all the right boxes and doesn’t really put a foot wrong during the course of its modest 61-minute running time. Highly recommended.
Thursday, November 16, 2017
Tibère (Sami Frey) is a good looking and very personable young man and as the film begins he is hanging about the airport in Paris. He needs an airline stewardess. He needs an airline stewardess very badly. Not for the reasons you might think, but because he has a job lined up for which a stewardess would be peculiarly suited. Tibère is a gold smuggler. He’s a good-natured and charming gold smuggler, but he is a criminal nonetheless.
He finds Eléna (Sylva Koscina). He smooth talks his way back to her apartment where he discovers that he’s found the mother lode. In this apartment live no less than three stewardesses. It’s just a matter of deciding which one to pick. Tibère is sure this will no problem. He has sublime confidence in his ability to persuade girls to do things.
Eléna is a sweet girl but quite crazy, in an adorably feminine way. The other two girls, Lolotte (Renate Ewert) and Mélanie (Mylène Demongeot), are just as crazy and just as adorable.
All three girls have boyfriends but of course they don’t let such details interfere with their love lives (this is Paris after all).
Before the gold smuggling plot really kicks in we get the usual series of romantic misunderstandings and misadventures as Tibère tries to bed all three girls none of whom seem likely to put up much resistance, although the boyfriends do cramp their style just a little.
This was 1963 so while it’s trying to be slightly naughty it’s really all very innocent. There is absolutely no nudity and the sex scenes are what you used to get in 1940s movies, in other words there are aren’t any but you do know when the camera cuts away that something is going to happen. The movie’s mildly risque but actually rather innocent tone is quite appealing. The risque elements come from the situations. There’s virtually no sexual innuendo in the dialogue.
Sami Frey makes a convincing charming rogue. The three girls are delightful. Mylène Demongeot is not as well-known in English-speaking countries as she is on the Continent but she makes a wonderful and very likeable leading lady. Sylva Koscina (another actress much better known in Europe) is even more engaging as the gloriously ditzy and incredibly cute Eléna.
The Bear and the Doll. They made romantic comedies that may not have been brilliant but were at least quite entertaining.
This is very much a feel good movie. The main reason for watching is the joy of seeing the three lead actresses putting everything they’ve got into their performances and looking lovely while doing so. It’s a harmless and fairly enjoyable of spending a bit under an hour and a half. The Girls’ Apartment is worth a look if you don’t set your expectations too high.
This movie is available as part of a very expensive Michel Deville DVD boxed set but that sadly appears to be its only appearance on DVD.
Thursday, November 9, 2017
This is a spy mystery rather than a straight murder mystery although of course there will be murder as well.
Charlie Chan is working undercover in Panama City (although why he should be involved in counter-espionage work is never explained). The city is full of spies and the US fleet is about to pass through the Canal. Those spies are certain to try to sabotage the fleet!
A US government agent is murdered just as he is about to give Charlie vital information. The agent had just flown in and the circumstances make it almost certain that the killer was a passenger on that sea-plane.
Everyone in Panama City is in the grip of spy fever. And anyone expressing even the mildest interest in the comings and goings of the American fleet can find himself very quickly arrested as a spy - and this includes not just Charlie Chan but his exasperating offspring Jimmy Chan as well!
The only way Charlie can trap the spy is to set a trap for him, but he will have to use himself and all the other suspects as live bait.
The identity of the master spy seems obvious right from the start but to their credit screenwriters John Francis Larkin and Lester Ziffren do manage to spring a surprise on us in the last reel.
Sidney Toler is in fine form. The support cast is pretty good, with Lionel Atwill being enigmatic and possibly sinister and Jean Rogers making a fairly effective European Woman of Mystery while being rather sweet and helpless as well. Victor Sen Young’s comic relief is bearable.
Charlie Chan in Panama is a solid enough entry in the Chan cycle, with a touch of exotic glamour (naturally all done in the studio or the backlot) and some excitement. Recommended.
Thursday, November 2, 2017
The Phillips family are southern aristocracy, wealthy mill-owners with immense pride. Avery Phillips (Barry Sullivan) is the nominal head of the family. The actual head of the family is his wife Eva. Eva is no southern belle. She’s a Yankee, a fact that will turn out to be quite important.
Eva’s cousin Jennifer Stewart (Lucy Marlow) is the penniless poor relation who has been invited to stay. Eva’s explanation for this move is that she is lonely. We might be sceptical, but it might be true. Jennifer is a nice girl but hopelessly innocent and naïve. She is overwhelmed by Eva’s apparent kindness, and by her charm and glamour.
Jennifer is naïve but she isn’t stupid and slowly she puts the pieces together. Carol had told her that Eva is like a queen bee who stings all her rivals to death and Jennifer begins to realise how true this is. Eva’s manipulations are breathtakingly blatant but they work because she knows what she wants and she will use any methods, any methods at all, to achieve her ends. At the moment her project is to prevent Carol’s marriage. Eva hopes to rekindle an old romance with Jud Prentiss. Whether she really wants Jud or whether she just wants him because Carol wants him is never made clear but given Eva’s personality both possibilities are plausible. And Eva has stolen other women’s men before. She likes doing that. It reassures her that she is irresistible to men. Especially now that the years are creeping up on her.
It’s an extraordinary performance by Crawford. She goes way over the top but she never loses control. Crawford understood melodrama and she knew exactly how far she could push a performance. She could push it very far indeed.
What’s interesting is that although Eva is one of the screen’s most horrifying monstrous women Crawford does show us the other side to the story. Eva has always felt that as a Yankee she was never going to be accepted, and not being as blue-blooded as the Phillips family made her even more of an outsider. She is a frightened lonely woman. She is terrified by the passing of the years and terrified of losing her power over men because that’s all she has. Crawford does not exactly make her sympathetic but at least we can understand how she became a monster and that makes her more human. And human monsters are more interesting than inhuman ones.
Ranald MacDougall wrote and directed Queen Bee. As a director he’s no more than competent but as a writer he’s top notch. The script is peppered with deliciously bitchy dialogue and he clearly understands what melodrama is all about.
The Columbia DVD has no extras worth noting but it offers a fine anamorphic transfer.
Crawford’s venomous performance makes Queen Bee glorious entertainment. Highly recommended.
Tuesday, October 24, 2017
Dame Beatrice Appleby (Athene Seyler) is an elderly lady who devoted herself to charity work. Or at least she did until her money ran out. She supplements her income by taking in lodgers, and a motley collection they are. There’s Major Albert Rayne, for whom the war years were the best years of his life. Of course the war years were not all that dangerous for him, since he commanded a mobile bath unit. There’s the seriously scatterbrained Miss Pinkerton (Elspeth Duxbury), held together by regular doses of her nerve tonic. And there’s the very formidable Nanette Parry (Hattie Jacques).
Dame Beatrice can only afford one servant. Lily (Billie Whitelaw) is devoted to the old lady, as well she might be. When Lily got out of prison Dame Beatrice have her a chance.
There’s only one thing for Dame Beatrice and her lodgers to do. They have to return the coat. An undertaking which proves even more challenging than stealing a coat. Major Rayne realises immediately that the matter must be approached as a military operation. In actual fact it’s more like a comedy of errors but somehow they manage to pull it off.
And they discover that they like doing this sort of thing a great deal. They suddenly feel alive again. They’re no longer a bunch of superannuated eccentrics. They’re daring thieves, but with a touch of Robin Hood. Soon they’re the most successful gang in London. They’re complete amateurs but that’s why they succeed - their methods are so outrageously bizarre that the police are baffled.
It’s a recipe for non-stop fun and that’s what this movie delivers. There’s a nice mix of verbal and visual humour. There are a few mildly risque gags, but they’re actually funny. The robberies are inspired lunacy. Everything always goes wrong but somehow this gang always seems to get away with it. The scene in which the Major tries to fence for their stolen goods is a wonderful comic set-piece.
Make Mine Mink is absolutely delightful. Sheer joy from start to finish. Very highly recommended.